Sounding Canvas redefines what a painting can be. Rooted in Persian calligraphy and musical rhythm, each piece becomes both visual and sonic, inviting touch, resonance, and discovery.What may appear as a static composition is, in truth, a living interface. When touched, it sings. The surface responds with evolving sounds, transforming the viewer into an active participant.
This project challenges the traditional divide between viewer and artwork. Here, the audience becomes co-creator, and each interaction gives rise to a unique sensory dialogue.
But Sounding Canvas is more than an artwork; it’s a space of relation. It embodies the spirit of a social sculpture: a living system shaped by human presence, dialogue, and shared gesture. Each touch activates not only sound, but a form of communication that transcends words—a way to say “I’m here” through vibration, rhythm, and silence.
Through real-time audio synthesis, adaptive technology, and tactile perception, Sounding Canvas transforms the act of seeing into an act of listening and feeling. It becomes a presence that evolves, remembers, and connects.
This piece bridges the ephemeral nature of sound with the permanence of visual form. The geometric composition, influenced by Persian calligraphy, transforms into a living, sensory space. Touch ignites its hidden voice: larger white squares and red forms resonate, evolving in time. Like a dialogue between viewer and canvas, each interaction shapes a unique sonic experience, altered by time’s passage. With each touch, harmonics shift, layers build, and the artwork itself seems to breathe, responding and changing, never the same twice.
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This piece translates sound into structured form, drawing inspiration from Persian calligraphy and musical rhythm. The black geometric shapes echo an abstract script, an unspoken language of movement and stillness. Red elements punctuate the composition like sharp notes or silent pauses, while the muted grey background holds a quiet depth. Beneath this visual code lies a hidden soundscape: touch awakens it. Each interaction generates shifting tones and rhythms, turning the viewer into a performer. In this sensory dialogue, presence becomes sound, and silence becomes a canvas for play.
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This artwork explores the interplay of geometry, contrast, and interaction. Using a structured arrangement of black, yellow, and blue-gray forms, it challenges the viewer’s perception of balance and movement. The precise angular composition suggests a coded language or architectural rhythm, inviting deeper engagement. Like my other works, this piece encourages interaction, redefining the traditional boundaries between the viewer and the artwork.
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This piece layers sharp, calligraphic geometry with minimalist depth and shadow. Black, white, and blue-gray elements form a cryptic visual syntax, drawing on Persian aesthetics and sonic abstraction. As an interactive Sounding Canvas, it responds to touch with modulated sound, turning viewers into participants. Like the rest of the series, this work explores perception, language, and sound through tactile dialogue.
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Inspired by musical notation and Persian calligraphy, this new work explores rhythm, silence, and spatial tension through a system of floating diamond forms and vertical lines. Its structure echoes the formal elegance of a visual score, waiting to be performed. As part of the interactive Sounding Canvas series, it uses touch-sensitive sensors and sound design to turn this abstract visual language into a dynamic, multisensory encounter. The piece invites reflection on the space between sound and form, language and gesture.
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This Sounding Canvas imagines space as music—a room not built from walls but from resonant lines and suspended forms. Influenced by Persian calligraphy and the structure of musical notation, the composition suggests a chamber seen from the side, where each geometric element resembles a vibrating chord. The gray background creates a sense of stillness, while the red and black forms introduce rhythm, tension, and spatial depth. When the viewer touches the surface, the room awakens. Sound emerges, transforms, and evolves over time. This is not just a work to observe; it is a space to enter, feel, and listen to.
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This Sounding Canvas explores the fragility and precision of sound as something both structured and weightless. Geometric forms, inspired by Persian calligraphy and abstract musical notation, are suspended across a soft, neutral field like tones stitched into silence. Fine lines connect the elements like invisible threads of resonance, suggesting that sound is not only heard but also felt: tensed, balanced, and held. As with all pieces in the series, touch activates hidden sonic layers, turning the viewer into both performer and listener within a living, responsive composition.
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